Diva – Exhibition at AnkoKai, Berlin

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I’m happy to announce my next exhibition, in the frame of the fantastic and sparkling AnkoKai event!

On this occasion I will show a series of portraits of the AnkoKai’s beauties and performers, queer, colors and lipstick!

The portraits are inspired by Alberto Granzotto photos.

 

When: 6th April 2019, 20-01h

Event: Anko-Kai vol. 106 いろいろやりまっせSP🌸

♥♥♥ Party for hairy Geishas and Yakuzas with boobs ♥♥♥

Where: Club der polnischen Versager, Ackerstraße 169, 10115 Berlin

Facebook: AnkoKai

 

Mama: Mitani Nobuhiro a.k.a. Nobué

Dj: Parisienne Sasazuka

Dance Performance: Rieko Okada

 

I will be happy to meet you there and drink a glass (or two, three, four…) together!

Cheers and glitters,

Chiara.

diva-cicca

Soft City – Exhibition at Schloss Biesdorf, Berlin

I’m pleased to announce our participation in the group exhibition SOFT CITY, at Schloss Biesdorf, Berlin.

For this show I collaborated with a great artist, my art sensei, and last but not least my husband, Yukihiro Taguchi. We have been all around the east neighborhood of Berlin, Marzahn-Hellersdorf, drawing and shooting a stop-motion animation video, watching the city through a glass window…got curious? Come to see our short movie and installation at the exhibition!

The VERNISSAGE on Friday the 7th.
Music Live: End of Dimension
Performance: Yuji Ueno
+ Japanese Tea Ceremony

WHEN: from 7th September 2018 till 25th January 2019

WHERE: Schloss Biesdorf, Alt Biesdorf 55, 12683 Berlino

More info at the Facebook event page here: SOFT CITY – STADT & KUNST // JAPAN & BERLIN

Works by:
Florian Baron/Jenny Fadranski,
David Bauer, Linda Havenstein
Masaru Iwai,
Titus Spree,
Yukihiro Taguchi/Chiara Ciccarello
Katsuhito Nakazato/Sugano Matsusaki
Yuji Ueno
Concept and Curatos: Titus Spree, Linda Havenstein, Karin Scheel

 

Okinawa: Ginoza Art Residency

Hello there, I’ve been in Okinawa for almost two weeks now, working crazy to prepare the scenography for the show “Rheinbilder” that will be in Garaman Hall on the 21st and 22nd July.

It is the first time for me to draw something that will be screened with projector on an multi layer screen setup, and I’m learning something new every day. Drawing for screening is quite different from drawing for books, there are many things to consider, for example the contrast of the images that must be quite strong to work good with the lights on the stage.

Here you can see the flyer of the show. For more info and tickets follow the link of the Garaman Hall theater. So to all of you who will be in Okinawa on the 21st or 22nd July, come to see it! It will be a great show, in the romantic scenery of the Rhein river with live music, dancing, acting and my illustrations!

RHEINBILDER - FLYER FRONT

 

Okinawa arrivo!!!

I have some big news!!!

On the 7th June I will go to Okinawa for about 2 months, that’s my first art residency and I am so happy that will be in the wonderful island in the south-south-south of Japan, as a Sicilian I kind of feel connected to Okinawa…SOUTH ISLANDS POWER!!!

I am honored to take part to a great theater project with my illustrations, and collaborate with great people there to create the scenography. I am so excited and looking forward to being there.

The show will be in the end of July in the Garaman Hall of Ginoza. I will post more details about it very soon.

And now let’s come back to work!

GANBARIMASU!!!

 

 

Japan holiday is finished – Back to work!!!

Here we are again, Berlin! I was one month in Japan and just came back to reality…

It was a great time and time flied faster then I imagined.

I came back full of new ideas and energy to immerse myself in my new projects! Now it is a count down to Bologna Children’s Book Fair, I’m working on couple of new books and I will update the progress here and on my social networks.

If you are curious about it, follow me on Instagram: @cicca_boom .

In the while enjoy the Okinawa mermaid 🙂

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SalvaSalva

Illustrated Diary: drawing without thinking

It happens always.

I take a brush and I draw whatever in the first sheet of paper I find close to me and …. TADAAN! Waoh, it’s really a nice one!

Then I try to draw it again and better, and the result? It is always worst.

That’s why the second time I want to create the perfect drawing, I try an excessive control on my hand, so that I’m scared to wrong and fail. And the final effect is artificial, not natural, bad.

What I need is to make free my drawing of the fear of not being able to make the perfect piece, I have to learn to make beautiful mistakes.

So I start an illustrated diary, full of daily sketches, doodles and scratches to feel free to draw, experiment and find a new way to put in the paper all the mess I have in my mind, but with no care.

Drawing without too much thought. That’s it.